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剧情简介
影片名称：欧洲的某个地方
影片别名：
上映时间：1948
国家/地区：其它
影片类型：剧情片
影片导演：Radványi Géza
影片演员：Artúr Somlay,Miklós..
资源更新：高清完整版
入库时间：2024-10-31 18:55
播放次数：月播人次
剧情介绍：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.
To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.
At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.
Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
本站观点： YBY影院于2024-10-31 18:55添加的该影片欧洲的某个地方因为Artúr Somlay,Miklós..等演员们给力，再加上剧情紧凑而有逻辑，剧情扣人心弦，令人难以抗拒，是一部不错的剧情片。故事情节富有想象力，跨度广泛，展现了人物的成长和转变，让人深入思考生命的意义和价值。大家对影片的评价是：还行吧，中规中规。到目前为止本月已有 人次观看，本周新增 人次观看，希望大家喜欢。如果您被《保镖2024》情绪感染或者有自己的观影评价，可以留言或评论哦。网站第一时间收集和整理欧洲的某个地方的完整资源，并第一时间为大家更新欧洲的某个地方的最新动态。以上是《欧洲的某个地方》的剧情介绍、主演导演介绍以及资源分享，如果你觉《欧洲的某个地方》好看，请分享给你的朋友一起观看！
常见问题：
1、请问哪个平台可以免费在线观看《欧洲的某个地方》?
YBY影院网友：欧洲的某个地方在线观看地址：https://www.ybytg.com/mianfei/26738.html
2、《欧洲的某个地方》哪些演员主演的？
腾讯视频网友：欧洲的某个地方主演有Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
3、《欧洲的某个地方》是什么时候上映/什么时候开播的？
优酷视频网友：1948年，详细日期也可以去百度百科查询。
4、《欧洲的某个地方》如果播放卡顿怎么办？
百度贴吧爱奇艺网友：欧洲的某个地方播放页面卡顿可以刷新网页或者更换播放源。
5、手机版免费在线点播《欧洲的某个地方》哪些网站还有资源？
6、看过《欧洲的某个地方》的网友怎么说：
Mtime时光网网友：比第一部好看，剧情不磨叽了，主要角色不拖后腿。第一次看欧洲的某个地方直接就爱了。欧洲的某个地方剧情懂得扬长避短，让声音做主角。省去没人想看的废话，省去没人想看的感情戏，一切以场景为中心来设计，而每个场景又都以声音为中心，咋呼、轻响、寂静形成节奏，然后一秒钟不多待就出字幕。很少有音效师能感觉自己这么核心吧？
百度视频网友:热播动漫欧洲的某个地方前的回忆闪回让观众们完美过渡 没看过前作的朋友也毫无压力 相比第一部演员有所升级
豆瓣电影成全视频网友：《欧洲的某个地方》感太割裂了，一边频频被视觉设计上的创意惊艳到，一边又不知道导演在吃力地表达什么！首先要说明一点，抛开所有片外因素，这部片子我看得很爽。
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